Fordham GSAS: Grad. Life: literature
Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, April 10, 2012

Neurodiversity and Autism Awareness Month

Hello!
       I hope everyone at Fordham and beyond had a nice Easter Break, and will continue to enjoy the upcoming holidays and beautiful spring weather!
      This month, I wanted to mention a cause that is dear to my heart: Autism Awareness. April is Autism Awareness Month, and in this post, I wanted to increase awareness by sharing briefly how my interaction with individuals with autism has shaped my academic interests and intellectual pursuits.
      I began graduate school as someone who loved literary studies. I thought, and still think, that studying and teaching literature, and art in general, could make the world a better place; that by extending conversations about art, we could forge connections and understandings between individuals and groups that would create harmony in the world. I know these are maybe naive ideas, but I truly feel that studying and teaching humanities provides a benefit to the world.
       In order to help put myself through graduate school financially, I began working as an ABA therapist in the home of a family with two children who had been diagnosed with Autism Spectrum Disorder. What was incredible about working with these two boys was that it opened me up to understanding how diverse the human brain and mind really is. These boys each learned, thought, and processed information in ways completely different from each other, and completely different from anyone I'd ever met. It changed my whole perspective on the ways in which studying and teaching art, language arts, and humanities subjects could, indeed, have an impact on the world. Suddenly, I began to see that forging connections and understandings between individuals and groups was important to bridge not only cultural and social gaps but also cognitive, perceptive, and sensory diversities.
      This realization changed my life and changed the way I studied literature and narrative. I embarked on my dissertation project which studies the history of representation of mental disabilities in American fiction. I also began attending disability studies panels and conferences, which are great because they are interdisciplinary and thus have exposed me to a wide variety of graduate research and scholarship  related to disability, bodies, difference, and neurodiversity. I also began working at a school for children with Autism, hoping to be able to help more learners with Autism acquire the skills in the way they learn best, in order to become more independent and self-expressed.
         In celebration of Autism Awareness Month, I urge you to learn something new about ASD, or share what you know and have experienced with someone else to keep the conversation going!
In the meantime, check out the Organization for Autism Research, which gives grants to graduate students researching autism issues across disciplines such as psychology, sociology, biology, neuroscience, and more. And, here's a great article from The Chronicle in 2009 called Autism as an Academic Paradigm. 
Let me know if you have any other questions or thoughts!

Sunday, February 19, 2012

Comprehensive Exams: What's At Stake?


          A recent column by David Brooks on The Chronicle’s website stood out to me because of its title, “As Smart As I’ll Ever Be.” Immediately, I thought to myself, “That must be about comps.”
          Yes, it was. As I read the column, in which the author recounts his exam year experience of reading, studying, and preparing, I remembered my comprehensive exams, which happened to be around the same year as the author’s. I resonated with Mr. Brooks’ nostalgic and reflective tone. Like Mr. Brooks, I often remember my exam prep as a time full of motivation and revelation.
          Lots of images and ideas in the column sounded familiar to me. Brooks describes his study scene, and his realization that this studying would not only help him get his degree, but also form the foundation of his career: “As I organized titles into ever-growing piles in my basement, I saw potential courses emerge. I started jotting down ideas for new syllabi. The process of going through the books helped me imagine teaching from them. For one of my four fields, the written exam became a survey-course syllabus with an annotated bibliography, including a justification for each reference.”
          Like Brooks, I, too, studied in a basement. For me, I found that I required some kind of physical space that could match the mental spaces I was carving out in my mind for this information and these ideas. And I remember thinking the same things – finding threads around which entire courses could be designed. It was exciting. Brooks writes, “Suddenly I was reading with the intent of organizing my impressions into a big, and hopefully clear, picture of those fields, rather than for the immediate, frantic task of cranking out another seminar assignment.” It was true – comps studying changed my view of my field entirely. It was a chance to zoom out, to take what I had found under the microscope and see how it fit into the whole literary organism.
          I always tell my friends, both within and outside my program, that I have never felt smarter than I did when I was waist-deep in studying for comps. Brooks alludes to this same feeling, and also notes that others he talked to felt the same way.  He writes about his talks with his colleagues about their experiences: “I sensed a degree of nostalgia that I have never heard anyone associate with, say, writing a dissertation.” As someone who is writing her dissertation now, I think that rings true, although I of course don’t know for sure since I am currently writing the diss rather than looking back on it. But what rings true to me is the difference between my feeling during comps studying and my experience writing the diss. Unlike during my exam year, I don’t feel smart writing my dissertation. I often feel overwhelmed and like nothing is good enough.  But during exam prep, I felt sharpened, and productive. I felt like I was making discoveries. I'm not exactly sure why the two periods in my academic career feel so different. Maybe it purely the veil of nostalgia. But who wouldn’t be nostalgic for a time of intense and revelatory intellectual and personal discoveries – a time when you felt smart and purposeful and motivated? On the timeline of someone’s life, those kind of moments or periods of time may be precious and rare.
          Towards the end of my exam prep, at dinner with my parents one night, I remember a comment that my dad made that shaped the way I understood my experience of studying for exams. This always sticks out in my mind, so thought sharing the anecdote on this blog may help me sort out why this seemingly off-hand comment has stayed with me.
          Let me set the scene: I had emerged from the basement of my childhood home, where I had set up a temporary “exam study room” with a bed, desk, and all my study materials. I was starving, ready to break for a meal before my night-time review session. I had come to look forward to my night time session  -- in the last month before my oral exam date, before bed each night I played a game with myself. For this game, I made index cards each day with important names, themes, titles, authors, characters, critics, and contextual threads written on the front. On the back of the card, during the day, I would write everything I knew. Then, that night, before I’d go to bed, I’d spread these cards out on my bed, so that they covered my entire bed spread. I wasn’t allowed to go to bed until I’d talked through each card.  I found this game to be a great way to review the studying I’d done during the day, or week, and also to practice speaking orally about the topics, which I knew was a different skill then just knowing the information. Anyway, that evening, I had just set up my cards for the night, and my plan was to eat dinner, hang with my parents for a bit, and then head downstairs for my game of literary solitaire. 
          I was lucky that I was able to move back in with my parents for exams, for financial reasons as well as time-saving reasons such as being able to share dinners with them sometimes instead of cooking for myself.  My parents were so generous with their time that semester, and so supportive and understanding. I realize that not everyone has the comforts of their mom and dad’s support during exam time! So I was feeling grateful that I could take a break and have a nice dinner with them.
          Anyway, during the meal, the three of us began discussing something that had nothing to do with academia or literature. I actually think we were discussing a new Bruce Springsteen song. I don’t remember exactly what I said, but I remember my dad looking at me after I spoke and saying, “Maybe you are getting too smart to talk to us.” My first reaction was embarrassment. I apologized and blamed it on being immersed in comps studying. But the comment startled me – I hadn’t realized the kind of “mode” that comps studying had put me in. I finished dinner and went back downstairs, to play my game. But I ended up thinking long and hard about my dad’s comment.
          In the end, I was grateful for the comment in two respects. One, it made me aware that my studying was restructuring, hopefully permanently, the way I saw connections between my field and the world at large. Studying was indeed, a comprehensive act, and it was helping me draw together small threads of analysis that I had been accumulating and weave them into larger bolts of thought-fabric. I was seeing a bigger picture, thinking in ways that allowed me to make connections and draw important conclusions.
          The second reason I was glad my dad made the comment was that I didn’t want to walk around sounding like a jerk.
          “As Smart As I’ll Ever Be” made me think back and reflect on my exam experience. And my dad’s comment always makes me remember that graduate school, if nothing else, is helping my thoughts, views, and thinking skills to constantly evolve and grow.  I’m not the same person I was before graduate school, before comps, and before beginning my dissertation. And being aware of this evolution helps me see both the pros and cons of the graduate experience. Ultimately, it helped me realize what kinds of forces were shaping my views of the world -- and being aware of what shapes your thoughts is so important if you ever want to offer the world some original, truly creative new ideas.  
          All of this also makes me realize that grad life is real life – it’s part of the journey of who you are, who you become, and who will be. So, now that you’ve heard one of mine, what were your exam stories? Or, if you have yet to take them, what questions, fears, anticipations and expectations do you have? Comment and discuss!!
          In the meantime, I’ll be working dutifully on the dissertation, trying to reclaim some of little piece of the intellectual self-esteem I had once staked out for myself, during comps.  Oh, nostalgia…. 

Until next time,
Liza

Monday, July 18, 2011

Turning Tides @ Fordham


This past year I was fortunate to be a part of the Turning Tides Symposium at Fordham. The fabulous Sarah Gambito, Director of Creative Writing at Fordham, envisioned the event and put together a team of grad students to help her orchestrate the day. On November 6, 2010, distinguished poets and academics from across the city gathered in the McNally Auditorium at Lincoln Center to learn and share about Diasporic literature.

Sarah envisioned an exchange between artists and academics – a conversation that was both scholarly and creative about the way literature reflects and responds to crises and change along the routes of various Diasporas.

From beginning to end, the symposium was awe-inspiring. As a first-semester grad student, I was grateful simply to be in a room with so many writers and thinkers at the forefront of their fields. For a grad student and aspiring writer, the experience was like working backstage at the Oscars; I felt so star-struck and thankful to be among writers whose works are not only formally impressive but also politically urgent and socially relevant. 

Fordham’s own Yvette ChristiansĂ« offered opening remarks, setting the tone for a day of reflection, questioning, and dialogue. Fordham professor Daniel Contreras moderated the first panel, Haiti: After the Earthquake, which featured the poetry and scholarship of J. Michael Dash, Denize Lauture, Yolaine M. St. Fort. Graduate student, Li Yun Alvarado, moderated the second panel Creative Disobedience in New Nuyorican Writing with Arnaldo Cruz-MalavĂ©Willie PerdomoEdwin Torres. The final panel was moderated by Luis Francia; Nerissa S. Balce, Bino Realuyo, Melissa Roxas shared their work and insights on The Filipino Artist as Activist.

Each panel focused on distinct political struggles and geographies but they all affirmed the same reality: that art and academia are about the world. Their writing and scholarship does not exist in isolation from the current political moment; their art and research are living efforts to understand, record, and change culture.

Symposium discussion ranged from an exploration of how Nuyorican poetry represents the complexity and multiplicity of Puerto Rican identity, to the striving of writers to rebuild a cultural infrastructure for Haiti after the 2010 earthquake, to the struggle of Filipino writers and scholars against invisibility and silence.

I was especially moved by the work and testimony of Melissa Roxas, a poet and human rights activist who shared pieces about her experience as a survivor of torture. Her works were “poems of evidence” and reminded me of why I began writing and came to graduate school.

Turning Tides was a critical reminder to me – and all in attendance – that stories and scholarship can change things; they possess a power greater than just themselves.

Beyond the nerdy glamour of working so closely with writers and scholars, I was honored to be a part of an inspiring event that forged connections across the divides of art and academia. It was an opportunity to lead and to learn. It was the out-of-the-classroom experience we grad students hunger for – the chance to be a part of something bigger than just our own work or the institutions to which we belong. 

The Turning Tides Symposium will return to Fordham in Fall 2011. Be sure to check the Turning Tides website for more information: http://turningtides.squarespace.com/